Pop music is a musical genre. Pop music may also refer to: Popular music, a number of musical genres having wide appeal Pop Music album, a 1996 album by Iggy Pop
Latin pop is a pop music genre that contains sounds or influence from Latin America, but it may also refer to pop music from anywhere in the Spanish-speaking world. Latin pop usually combines upbeat Latin music with American pop music. Latin pop is commonly associated with Spanish-language pop, rock, and dance music.
Arabic pop music or Arab pop music is a subgenre of pop music and Arabic music. Arabic pop is mainly produced and originated in Cairo, Egypt; with Beirut as a secondary center. It is an outgrowth of the Arabic film industry mainly Egyptian movies, also predominantly located in Cairo. The primary style is a genre that synthetically combines pop melodies with elements of different Arabic regional styles, called ughniyah Arabic: أغنية or in English "Arabic song". It uses string instruments including the guitar as well as traditional Middle Eastern instruments. Another aspect of Arab pop is ...
Azerbaijani pop music had its humble beginnings in the late 1950s with Azerbaijani cover versions of a wide range of imported popular styles, including rock and roll, tango, and jazz. As more styles emerged, they were also adopted, such as hip hop, rock and reggae.
Russian pop music is Russian language pop music produced either in Russia, CIS countries, Baltic states and other foreign countries in which the songs are performed primarily in Russian language, languages of the countries of the CIS, and in the other languages of the world. This is the successor to popular "variety" Soviet music with its pop idols such as Alla Pugacheva or Valery Leontiev. Modern-day mainstream Russian-language pop music is very diverse and has many ways to spread through the audience. The most famous pop stars can be seen on general television in music or talk shows, and ...
Traditional pop is Western popular music that generally pre-dates the advent of rock and roll in the mid-1950s. The most popular and enduring songs from this era of music are known as pop standards or American standards. The works of these songwriters and composers are usually considered part of the canon known as the "Great American Songbook". More generally, the term "standard" can be applied to any popular song that has become very widely known within mainstream culture. Traditional/classic pop music is generally regarded as having existed between the mid-1940s and mid-1950s. AllMusic d ...
ⓘ Pop music
Pop music is a genre of popular music that originated in its modern forms in the US and the UK during the mid-1950s. The terms "popular music" and "pop music" are often used interchangeably, although the former describes all music that is popular and includes many diverse styles. "Pop" and "rock" were roughly synonymous terms until the late 1960s, when they became quite separated from each other.
Although much of the music that appears on record charts is seen as pop music, the genre is distinguished from chart music. Pop music often borrows elements from other styles such as urban, dance, rock, Latin, and country; nevertheless, there are many key elements that define pop music. Identifying factors usually include short to medium-length songs written in a basic format often the verse-chorus structure, as well as common use of repeated choruses, melodic tunes and hooks.
1. Definitions and etymology
David Hatch and Stephen Millward define pop music as "a body of music which is distinguishable from popular, jazz, and folk musics". According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts music". Although pop music is seen as just the singles charts, it is not the sum of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty songs. As a genre, pop music is seen to exist and develop separately. Therefore, the term "pop music" may be used to describe a distinct genre, designed to appeal to all, often characterized as "instant singles-based music aimed at teenagers" in contrast to rock music as "album-based music for adults".
Pop music continuously evolves along with the terms definition. According to music writer Bill Lamb, popular music is defined as "the music since industrialization in the 1800s that is most in line with the tastes and interests of the urban middle class." The term "pop song" was first used in 1926, in the sense of a piece of music "having popular appeal". Hatch and Millward indicate that many events in the history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in country, blues, and hillbilly music.
According to the website of The New Grove Dictionary of Music and Musicians, the term "pop music" "originated in Britain in the mid-1950s as a description for rock and roll and the new youth music styles that it influenced". The Oxford Dictionary of Music states that while pops "earlier meaning meant concerts appealing to a wide audience and, in musical terms, it is essentially conservative". It is, "provided from on high rather than being made from below. Pop is not a do-it-yourself music but is professionally produced and packaged".
According to Frith, characteristics of pop music include an aim of appealing to a general audience, rather than to a particular sub-culture or ideology, and an emphasis on craftsmanship rather than formal "artistic" qualities. Music scholar Timothy Warner said it typically has an emphasis on recording, production, and technology, rather than live performance; a tendency to reflect existing trends rather than progressive developments; and aims to encourage dancing or uses dance-oriented rhythms.
The main medium of pop music is the song, often between two and a half and three and a half minutes in length, generally marked by a consistent and noticeable rhythmic element, a mainstream style and a simple traditional structure. Common variants include the verse-chorus form and the thirty-two-bar form, with a focus on melodies and catchy hooks, and a chorus that contrasts melodically, rhythmically and harmonically with the verse. The beat and the melodies tend to be simple, with limited harmonic accompaniment. The lyrics of modern pop songs typically focus on simple themes – often love and romantic relationships – although there are notable exceptions.
Harmony and chord progressions in pop music are often "that of classical European tonality, only more simple-minded." Cliches include the barbershop quartet-style harmony i.e. ii – V – I and blues scale-influenced harmony. There was a lessening of the influence of traditional views of the circle of fifths between the mid-1950s and the late 1970s, including less predominance for the dominant function.
3.1. Development and influence Technology and media
In the 1940s improved microphone design allowed a more intimate singing style and ten or twenty years later, inexpensive and more durable 45 rpm records for singles "revolutionized the manner in which pop has been disseminated", which helped to move pop music to "a record/radio/film star system". Another technological change was the widespread availability of television in the 1950s; with televised performances, "pop stars had to have a visual presence". In the 1960s, the introduction of inexpensive, portable transistor radios meant that teenagers in the developed world could listen to music outside of the home. By the early 1980s, the promotion of pop music had been greatly affected by the rise of music television channels like MTV, which "favoured those artists such as Michael Jackson and Madonna who had a strong visual appeal".
Multi-track recording from the 1960s; and digital sampling from the 1980s have also been utilized as methods for the creation and elaboration of pop music. During the mid-1960s, pop music made repeated forays into new sounds, styles, and techniques that inspired public discourse among its listeners. The word "progressive" was frequently used, and it was thought that every song and single was to be a "progression" from the last. Music critic Simon Reynolds writes that beginning with 1967, a divide would exist between "progressive" pop and "mass/chart" pop, a separation which was "also, broadly, one between boys and girls, middle-class and working-class."
The latter half of the 20th-century included a large-scale trend in American culture in which the boundaries between art and pop music were increasingly blurred. Between 1950 and 1970, there was a debate of pop versus art. Since then, certain music publications have embraced the musics legitimacy, a trend referred to as "poptimism".
3.2. Development and influence Stylistic evolution
Throughout its development, pop music has absorbed influences from other genres of popular music. Early pop music drew on the sentimental ballad for its form, gained its use of vocal harmonies from gospel and soul music, instrumentation from jazz and rock music, orchestration from classical music, tempo from dance music, backing from electronic music, rhythmic elements from hip-hop music, and spoken passages from rap. In 2016, a Scientific Reports study that examined over 464.000 recordings of popular music recorded between 1955 and 2010 found that since the 1960s, pop music had found less variety in pitch progressions, grown average loudness levels, less diverse instrumentation and recording techniques, and less timbral variety. Scientific American s John Matson reported that this "seems to support the popular anecdotal observation that pop music of yore was "better", or at least more varied, than todays top-40 stuff". However, he also noted that the study may not have been entirely representative of pop in each generation.
In the 1960s, the majority of mainstream pop music fell in two categories: guitar, drum and bass groups or singers backed by a traditional orchestra. Since early in the decade, it was common for pop producers, songwriters, and engineers to freely experiment with musical form, orchestration, unnatural reverb, and other sound effects. Some of the best known examples are Phil Spectors Wall of Sound and Joe Meeks use of homemade electronic sound effects for acts like the Tornados. At the same time, pop music on radio and in both American and British film moved away from refined Tin Pan Alley to more eccentric songwriting and incorporated reverb-drenched rock guitar, symphonic strings, and horns played by groups of properly arranged and rehearsed studio musicians. A 2019 study held by New York University in which 643 participants had to rank how familiar a pop song is to them, songs from the 1960s turned out to be the most memorable, significantly more than songs from recent years 2000 to 2015.
Before the progressive pop of the late 1960s, performers were typically unable to decide on the artistic content of their music. Assisted by the mid-1960s economic boom, record labels began investing in artists, giving them the freedom to experiment, and offering them limited control over their content and marketing. This situation declined after the late 1970s and would not reemerge until the rise of Internet stars. Indie pop, which developed in the late 1970s, marked another departure from the glamour of contemporary pop music, with guitar bands formed on the then-novel premise that one could record and release their own music without having to procure a record contract from a major label.
Latin pop rose in popularity in the United States during the 1950s with early rock and roll success Ritchie Valens, though it truly rose to prominence during the 1970s and 1980s with the likes of Los Lobos. With later Hispanic and Latino Americans seeing success within pop music charts, 1990s pop successes stayed popular in both their original genres and in broader pop music. Artists like Selena saw large-scale pop music presence, and crossover appeal with fans of Tejano music trailblazers like Lydia Mendoza; likewise in other genres like Lorenzo Antonio and Sparx, who are recognized throughout Latin America as well as within their New Mexico music repertoire of Al Hurricane and Antonia Apodaca. Musicians like Shakira, Ricky Martin, Selena Gomez, and Demi Lovato seen lasting mass-appeal within pop music circles. Latin pop hit singles, like" Macarena” by Los del Rio and" Despacito” by Luis Fonsi have seen record-breaking success on worldwide pop music charts.
The 1980s are commonly remembered for an increase in the use of digital recording, associated with the usage of synthesizers, with synth-pop music and other electronic genres featuring non-traditional instruments increasing in popularity. By 2014, pop music worldwide had been permeated by electronic dance music. In 2018, researchers at the University of California, Irvine, concluded that pop music has become sadder since the 1980s. The elements of happiness and brightness have eventually been replaced with the electronic beats making the pop music more sad yet danceable.
3.3. Development and influence International spread
Pop music has been dominated by the American and from the mid-1960s British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics. Some of these trends for example Europop have had a significant impact of the development of the genre.
According to Grove Music Online, "Western-derived pop styles, whether coexisting with or marginalizing distinctively local genres, have spread throughout the world and have come to constitute stylistic common denominators in global commercial music cultures". Some non-Western countries, such as Japan, have developed a thriving pop music industry, most of which is devoted to Western-style pop. Japan has for several years produced a greater quantity of music than everywhere except the US. The spread of Western-style pop music has been interpreted variously as representing processes of Americanization, homogenization, modernization, creative appropriation, cultural imperialism, or a more general process of globalization.
In Korea, pop musics influence has led to the birth of boy bands and girl groups which have gained overseas renown through both their music and aesthetics. Korean co-ed groups mixed gender groups have not been as successful.
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